The shape is one I keep coming back to: no handle, just a simple trimmed figure. Clean, no fuss.
The brown and blue brush strokes are where things get less “planned.” There’s no technique here, no rule I’m following, just intuitive strokes across the cup. I won’t pretend it’s some deep artistic process, but there is a real freedom in just letting the brush do its thing.
The brown is actually reused black clay, painted on. What I love is how clearly you can see the brush move through it, almost like a fingerprint. The blue does the opposite: soft, nearly watercolor-like. Together they just work.
